Showing posts with label lets knock out some pages. Show all posts
Showing posts with label lets knock out some pages. Show all posts

Tuesday, April 26, 2011

Screenplays Are Not Written In English*

"Hi, my name is Jenna and I have a hard time elaborating."


  
                                       (via Matt-Richards / flickr)


I read through the first three (very short) chapters of my WIP yesterday, and while I like how it's flowing, I think that readers will have a hard time connecting with my main character. My screenwriting background is to blame.


To be a good screenwriter, you need to be brief. With comedy you can get loose. Play around with it a bit (thought not much.) With action / thriller / horror? Even less wiggle room. A scene might look something like this:


EXT. COFFEE SHOP - DAY

A cold wind sends autumn leaves skittering across the pavement.
STAN (20, All-American) exits, holding a steaming to-go cup. He holds the door for JULIE (20, bookish, adorable) who juggles her own cup and a backpack.
JULIE
Thanks again for the coffee. I can’t believe I forgot my wallet.
STAN
I’ve always been a sucker for a damsel in distress.
She blushes. Doesn’t see the man racing toward her.
ARNOLD (20’s, bulky jock) slams into her. She falls to the ground. Hot coffee scalding her neck and chest.
Stan snags Arnold’s arm. Spins him around.
STAN
What the hell, man?
Arnold looks behind him. Panicked. He’s running from someone. Or something.
He shoves Stan. Wrenches free.
Julie picks herself up. Dusts herself off with scraped palms, leaving small spots of blood on her tee shirt.
She gingerly touches the burns on her neck.
STAN (CONT’D)
Apologize to the lady.
Arnold stares at her. Fear in his eyes.
ARNOLD
You’ve been marked.
He unconsciously scratches his neck. He’s got the same angry red mark as Julie.
His eyes flick behind her. Terrified. He runs.
Stan turns to Julie.
STAN
What the hell was that?
Julie’s lip trembles.
JULIE
Let’s go. Now.



See how the eye kinda skims down? That's what you're looking for. The more white space on the page, the better.


Writing that way is so ingrained that I tend to race through the scenes in my novel. I don't let them breathe, or really let my character describe what's going on. This is going to lead to my WIP ending up at 45,000 words, and my breathing into a paper bag.


Elaborate. I'm gonna print that word out and staple it to my bedroom wall.


*I read that somewhere, and it stuck with me. It's absolutely true.

Monday, February 28, 2011

the King


                                         Day 9 of 365, originally uploaded by JaycieLove


I'm halfway through On Writing by Stephen King, and I'm loving it. I was already a huge fan of his books; the man can tell a damn good story. Hearing about how he approaches the craft is borderline too-good-to-be-true.

In the spirit of really trying to buckle down and knock out some pages, I retreated from my normal writing spot (the living room, shades drawn, TV on low in the background) to my bedroom. I shut the door, made myself a bootleg desk out of a book, and went all hermit-style.

It worked, too. I found it much easier to focus, and I completed my rewrite of our treatment in record time.

Imagine how productive I'd be if I actually had a desk!
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